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Blues People: Negro Music in White America
Download Ebook Blues People: Negro Music in White America
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Review
""Blues People "is not only a fresh, incisively instructive reinterpretation of Negro music in America, but it is also curcially relevant to Negro-White relationships today."--Nat Hentoff""Blues People "is American musical history; it is also American cultural, economic, and even emotional history. It traces not only the development of the Negro music which affected white America, but also the Negro values which affected white America."--"Library Journal"
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About the Author
Amiri Baraka, born Leroi Jones in 1934, is a poet, playwright, novelist, critic, and politcal activist. Best known for his highly acclaimed, award-winning play "Dutchman," as well as "The Slave, The Toliet," and numerous poetry collections. He lives in Newark, New Jersey.
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Product details
Paperback: 256 pages
Publisher: Harper Perennial; 1 edition (January 20, 1999)
Language: English
ISBN-10: 068818474X
ISBN-13: 978-0688184742
Product Dimensions:
5.5 x 0.6 x 8.2 inches
Shipping Weight: 12 ounces (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
53 customer reviews
Amazon Best Sellers Rank:
#64,395 in Books (See Top 100 in Books)
As much an ethnography of Black Americans as a history of the Blues, Jones long-established book is a pleasant-enough read for most anyone who went through college long before there were Black Studies courses to take as electives.
I read this book initially in 1970 and I have to say that it is still the definitive book on the history of black music in the USA. Baraka is the greatest writer in the modern era.
Amiri Baraka (aka Leroy Jones) wrote a book about the move from Africa to slavery and from slavery to citizenship, and from "African to Negro" in his words. As music was the most profound artistic expression of this move, Baraka analyses each stage of social change through the music it produced.As Baraka concentrates on the process, he does not put any emphasis on names and details of the musicians. The book is not in any way a list of "who's who in Blues or Jazz".The book is critical of American mainstream culture, describing it as shallow and un-creative. Baraka observes that Blacks who have tried to belong to the mainstream (white) society have not been able to produce any music of value. He believes that their rejection of their Blues (slavery) roots made them too as shallow and un-creative as the society they wanted to join.Baraka is most knowledgeable of Bebop and its developments up to free Jazz, as they are the closest to his generation. He is admittedly less connected to country blues, which for him expresses the first stage in the post slavery black society.The book is magnificent in its originality and boldness. I think it is essential reading for anyone interested in African American music and/or culture.
Good
The origin of Africans in America and the music they produced over the last three hundred years was very interesting to read. Mr. Jones provides a chronological and historically based history of the evolution of Black music in America.He also points out that when black music is accepted by the mainstream it becomes a diluted and pitiful shell of its former greater self. I agree. If anyone notices whenever a beloved artist goes mainstream, generally his or her music is so shallow, you wonder what happened to the real person. I guess it is all about the dollars. They want to get paid. They know that most folks in the mainstream society cannot take or intellectually and spiritually relate to the rawness of our people's music. It is too powerful and personal. The black experience is unique, which affects our worldview and attitudes.However, the black folk, the masses, always create new music or keep the real music alive. We continuously create, and the mainstream is darn well lucky. If not for black folks, I don't know what in de world they would do with dye selves. Lady this would be such a dull place.
More of a history of Jazz. Not much on the early blues artists.
This is a must read. I got this book for school and I've since bought it for several friends. There's so much more African American history than I expected... Awesomec
This year marks the 50th anniversary of the classic music history, Blues People, that propelled Jazz Studies into the college curriculum. 50 years ago, university scholars did not allow their students to study Blues and Jazz; but outside of school a young LeRoi Jones was introduced to the study of the Blues at the home library of Professor Sterling Brown, the renowned Blues School poet. In some ways Blues People is the product of a young writer searching for his own voice in the poetic insights of the music. Students may study the path from LeRoi Jones and Blues People to Amiri Baraka and Digging: The Afro-American Soul of American Classical Music by way of "Black Music" and "The Music" in the middle of that trajectory.This October the Schomburg Center will host the symposium: Blues People: 50 Years Later with Amiri Baraka, Ingrid Monson and John Szwed. check it out on the First Thursday series in Harlem.
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